I have been commissioned to fill a large exhibition booth with a mesmerising 45–60 second 3D anamorphic journey that plays across two perfectly synced LED canvases: a vast front wall and a circular reactive floor. The front wall will carry the main cinematic narrative while the floor echoes it with subtler, interactive accents. Creative direction The sequence flows through Water → Vapor → Snow → Energy → Spring blossoms → Wind → Summer breeze. Visually it must feel like a seamless fusion of ukiyo-e brushwork and cutting-edge particle-driven effects. I want those iconic flat, woodblock silhouettes and wave patterns to peel forward into true depth, then dissolve into swirling particle simulations that suggest volumetric light, heat haze, drifting petals and shimmering snow. Colour-wise the palette should harmonise earthy indigo, vermilion and washi-paper creams with pops of luminous digital cyan and magenta so the old and the futuristic meet without clashing. Key requirements • 45–60 sec full-CG animation, mastered in EXR / ProRes • Two synchronised outputs: 1) main LED wall (anamorphic moments critical: wave crest, snow burst, petal swirl, heat shimmer) 2) circular LED floor (responsive highlights, energy ripples) • High-end fluid, particle and energy simulations to sell the transformation stages • Camera framing and perspective that exploit the booth geometry for maximum pop-out illusion • Final files delivered to exact display specs (I will supply CAD, pixel maps and colour calibration data) What I will hand over • A detailed creative brief with storyboard beats and reference clips • Photos and measurements of the booth plus LED panel specs • Style references that break down brush strokes, edge treatments and particle looks What I’d like from you • A portfolio link that shows solid 3D/VFX work, especially particle-heavy pieces or previous anamorphic screens • A rough cost breakdown and any preferred milestone structure • Your estimated schedule from concept development through final renders (including time for feedback rounds) If you are comfortable blending evocative ukiyo-e art direction with sophisticated Houdini/EmberGen/After Effects particle workflows—and you have previously delivered exhibition-scale animations—I’d love to review your reel and discuss next steps right away.